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Before the coronation of Napoleon, the latter said to him, Make two large water-colour sketches of the procession with correct costumes, every one in their right place. I will send them to study your designs, which will be exhibited in the great [482] gallery of the Tuileries, so that there may be no confusion.
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ONE:They found a farm, settled themselves in it, and after a time M. de Montagu was added to the household, [250] for he came to see his wife, and their joy at meeting so touched Mme. de Tess, that she said he had better stay altogether. TWO:At last, in spite of her being unlucky or fanciful, or both, she succeeded in finding a dwelling-place, and as directly she arrived, visits and commissions began to pour upon her, she soon had plenty of money and plenty of society.Even then they had a third chance of escape, for when the announcement of what was intended arrived, the King was out hunting, the horses were just being put into the carriage of the Dauphin who was going out for a drive, and if the Queen, her children, and Madame Elisabeth had got into the carriage and joined him, they could have fled together. But the idea did not occur to them; they waited till the King returned, and were taken prisoners to Paris next day, escorted by La Fayette, who, though able to protect them from personal violence, was powerless to prevent the horrors and crimes committed by his atrocious followers.


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THREE:

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THREE:Il en avait trois grisesWhat? A painter ambassador? Doubtless it must have been an ambassador who amused himself by painting.

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THREE:DivorcedM. de Fontenay escapes to SpainThe mistress of TallienHer influence and his saves many livesRobespierreSingular circumstances at the birth of Louis XVII.The vengeance of the Marquis de Enmity of RobespierreArrest of TrziaLa Force.

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THREE:Fragonard, the Proven?al, had more depth and dramatic feeling, the passion of the south and the love of nature in his work gave a stronger, truer, more impressive tone to his pictures; but Boucher, the favourite painter of Louis XV., the Marquise de Pompadour, and the court would seem from his pictures to have looked upon everything in life as if it were a scene in a carnival or fte. His goddesses and saints, even the holy Virgin herself, were painted from models from the theatre, and looked as if they were; his gardens, roses, silks, satins, nymphs, fountains, and garlands were the supreme fashion; every one wanted him to paint their portrait; he had more commissions than he could execute, and his head was turned by the flattery lavished upon him.
THREE:[461]Nattier
THREE:[5]To walk about Paris was at first most painful to Mme. de Montagu. The sound of carts in the streets made her shudder, the churches were [259] mostly in ruins or closed. The few that were open were served by prtres asserments.
THREE:You are Mme. Le Brun, who paints with such perfection, and we are all very glad to know that you are far away from those wicked people.
THREE:Indeed, he said, you have a strange fancy. Night is made to sleep in; however, if it amuses you I have no objection so long as you do not expect me to be of the party.
THREE:

ONE:The incident accords so well with the habitual treachery of Robespierre, that if not true it may be called ben trovato; but in fact it is not really certain that it took place.

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ONE:I bowed with a half-smile that seemed to amuse the King. But resuming his usually grave and majestic air, he added
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TWO:With a King of five years old, and such a Regent as the Duke of Orlans, they were tolerably sure of both. The reign of pleasure, luxury, and licence began with enthusiasm. Never, during the life of Louis le Grand, had the atmosphere of the Court been what it became under the regency, and under his great-grandson.

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This hundred louis would take her to Rome with her child and nurse, and she began in haste to pack up and prepare for the journey.Can it be the Monsieur, you have much to do to repair the crimes of your father. I have doubtless forgotten them, but my family, but France, but Europe will find it difficult not to remember them.... In accepting the name of galit you left the family of Bourbon, nevertheless I consent to recall you into it.... Duc dOrlans, it is finished, from to-day alone we will begin to know each other.Mme. Le Brun painted the portraits and went to the parties of the chief Roman families, but did not form many intimate friendships amongst them, for most of her spare time was spent with the unfortunate refugees from France, of whom there were numbers in Rome during the years she lived there. Many of them were her friends who had, like herself, managed to escape. Amongst these were the Duke and Duchess de Fitz-James and their son, also the Polignac family, with whom Mme. Le Brun refrained out of prudence from being too much seen, lest reports should reach France that she was plotting with them against [97] the Revolution. For although she was out of the clutches of the Radicals and Revolutionists her relations were still within their reach, and might be made to suffer for her.In spite of all her social success hers was not a disposition to be happy. She was too excitable, emotional, and unreasonable. A liaison with a brother of Garat brought her much unhappiness, [103] and her unfortunate marriages and love affairs caused the Emperor Napoleon to say to her one day at some court entertainment
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